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counterpoint
J. S. Bach: Stirb in mir (BWV 169 #5)
BSG
5:54 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100%
Viola 22 0 8 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100%
Viola 22 0 8 4 100%
Violin
1		 Treble 18 0 5 5 100%
Violin
2		 Treble 21 0 9 4 100%
Alto Treble 20 0 8 6 60%
Organ Treble 26 0 9 6 60%
 
Pergolesi/Magatagan/BSG: Stabat Mater Dolorosa quartet
BSG
4:46 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 6 3 100%
Violin
1		 Treble 23 0 8 8 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 6 3 100%
Violin
1		 Treble 23 0 8 8 100%
Violin
2		 Treble 21 0 7 8 100%
Viola 18 0 6 8 96%
 
J.D. Zelenka: Lamentatio I (complete, from ZWV 53)
BSG
16:22 Est. Play
Time
150 Measures
1,706Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 10 8 96%
Contrabass Bass 23 0 10 8 96%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 10 8 96%
Contrabass Bass 23 0 10 8 96%
Violin
1		 Treble 28 0 11 11 75%
Violin
2		 Treble 27 0 11 9 75%
Bass Bass 16 0 5 9 74%
Viola 23 0 7 9 59%
Oboe
1		 Treble 19 0 8 9 31%
Oboe
2		 Treble 19 0 7 8 29%
 
J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9)
BSG
7:34 Est. Play
Time
106 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
Treble 16 0 5 5 98%
Alto Treble 12 0 2 3 36%